My students wanted to learn how to use watercolours today. Although I add watercolour to my sketches, I don't often set out to make an actual watercolour painting as I don't feel as comfortable using them, much preferring to paint in oil
So I taught them a load of techniques and encouraged them to experiment. I shall upload their images on my art classes Facebook page but thought I would share my daubings here.
Loads of colour and fun. Just to to give a sense of size, the snail is 7cms long!
It is always lovely to sell a painting , but even better when you receive a photo of where it hangs.
A couple of years ago I painted three small fantasy cow paintings. One was a purple cow with a golden crown and tapestry shawl, the second was a cow dressed up to go dancing in fish net stockings and a 1st Prize badge, the third was wearing moon and star pajamas with a bow in her hair and leggings. They were quite small and I painted the frames in tiny detail.
The first two sold quickly and I put the third one aside thinking I might do a few more. I showed it recently in an exhibition and sold it, I must admit I love it when people buy my crazy paintings.
What was really lovely was that I received a photo of the painting from the buyer. She had given it to one of her granddaughter who posed in front of it while standing on her bed.
Still makes me smile every time I see it.
The painting was now getting interesting as I started adding the the characters. I felt the original draft of a hairy Basajaun with leaves covering his modesty was a little too strong and gave him a tunic made of hide. I also covered Lamia with a white dress but put her webbed feet in a stream running from the far hills.
I loved doing all the birds and animals using my sketchbook and reference books to find some rather odd characters. I did make a few changes from my draft and my patron sent me more animals to be included.
I decided to complete the grassy area before tackling the water and started adding the millefleur which is how the painting is today.
I am really enjoying painting this rather quirky subject and wish I could spend every day on it but I am unable to as I still have three full days of teaching every week plus work for other exhibitions. On the plus side this does mean I can view the painting and think what happens next instead of rushing.
More posts to come as I progress.
During the last Cambridge Open Studios I met a couple from the Basque area of Spain. They were really interested in my drawings from the Parker Library at Corpus Christi College here in Cambridge. They were fascinated by my sketch books and the resulting paintings and revisited during the last day to ask if they could commission a painting in my medieval style with elements of Basque mythology including the figures of Lamia and Basajaun.
After a few days we arranged a meeting and discussed the project. Being extremely busy with my son's wedding and an exhibition, they agreed that I could take my time and as the painting is very complicated with many overlays I suggested a time of one year to which they accepted. A short while afterwards the young man gave up his job with Arm and moved back to Spain to be with his girlfriend. So now everything is done by email!
After a fairly detailed rough draft and preparing the canvas I painted the first layers and added the hybrid Basque castle with King's College, shown above. The next stage was adding the forest. It was now December 2018.
A beautiful Spring day for this month's Cambridge sketchcrawl and there was a big group at this fascinating venue.
The Museum of Cambridge is a hidden treasure trove of artifacts with collections including household objects, paintings and toys all with masses of interesting local history. It is set in an old coaching inn from the 17th century next to Kettle's Yard on Castle Hill complete with (unlit) open fire for the punters and a space where the drinks were held.
It was a very popular venue with so much to draw and afterwards we moved on to share our sketchbooks and chat at the Castle Inn.
Today I went with a couple of pre-prepared, double pages to give my drawings a bit of colour as paint is definitely not allowed in a museum. My first sketch was in the kitchen where loads of old paraphernalia was laid out including irons, items on a range, cupboards full of outdated equipment and the collection of sweet shop jars that I drew standing up with my book balanced on the palm of my hand.
My second drawing was right at the top of the building from the only window that was not covered by a white blind. The view was of the beautiful terraced houses on Northampton Street with a distant view of a St John's tower wrapped in scaffolding and, loud with buses and cars trying to get into the city.
As always going sketching with this group of fellow sketchers was an absolute delight and I am already looking forward to next month.
At the moment I have three paintings on the go.
My work is extremely detailed and full of many layers and because I paint in oil each layer takes a time to dry. Rather than just sit and wait I tend to have a few on the go. The three I am working on are all pretty large, well they are for me as all that detail takes forever.
The one shown will be exhibited at Byard Art in June. I don't know the title yet but it is about the books and libraries of Cambridge. You can just see two of the libraries at the bottom. I am doing all the intricate detail over the undercoat to show off the wonderful buildings. The following stage will be painting books flying all over the place, adding the millefleur and then the finishing touches. Probably take me another month.
I am also painting the glorious mulberry tree at Queen's and the third painting I am working on is a commission for a couple in Spain which is very influenced by my medieval drawings.
Here are the final 10 sketches that I made for the sketch a day challenge.
I loved some of the prompts though others were more difficult but overall I really enjoyed the regularity of making one sketch a day. I received the prompts in the morning but never had enough time to do the sketch until teatime which was good really as subconsciously my mind must have been working.
Twice I was urban sketching with others and managed to incorporate my sketch with the day's prompt.
I shall most likely take part in the Urban Sketchers drawing a day in May and maybe do the Inktober drawing a day later in the year. Thank you for following and liking my sketches on Instagram and Twitter.
Here is the link to my sketches for day 11 to 20 for the sketchbook challenge.
I am really enjoying doing these although I find some of the prompts that arrive at 6.30 in the morning challenging. Shown here are two of may favourites.
this is link to my Facebook page where you can see numbers 11-20.
I started the year by joining a sketch-a-day group. Prompts arrive at 6.30am and I usually get round to doing a drawing about teatime. I haven't missed one yet so here are the first 10 drawings, they can also be found on my Twitter account and Instagram plus the FB page 30 day sketchbook 2019.
I have labelled each of the drawings with the day, prompt and my own explanation. I have had lots of fun, I hope you enjoy them.
Press here for the link to my Facebook page to see the first ten drawings
I dropped into #ByardArt to wish the staff a HNY when my mind got blown away by the recent rehang. The lovely ladies of the gallery had placed four of my paintings behind the counter and they look amazing - but then I would say that!
So it was camera out and a photo shoot.
If you find yourself in Cambridge looking for something to do, pop in and take a look. The gallery is on King's Parade, the most famous street in Cambridge right opposite King's College Chapel. They exhibit paintings, mixed media, ceramics and are absolutely brilliant. I have a soft spot for for the ceramics and the wonderful mixed media made from found objects.
I don't normally draw every day, but I do usually do some kind of artwork usually painting or planning for a painting. I think it is very good though to draw every day as it improves my drawing and focuses my mind.
In the past I had made a sketch every day in May with Urban Sketchers, some days I really ran out of ideas and ended up sketching my bins and my bike. I have also taken part in Inktober with some great prompts.
So when I saw there was a #30daysketchbook2019 I thought I'd take a look and duly signed up. First prompt was 'Something small'. Nice prompt. I drew one of my painted wooden elephant far away and called it 'The elephant in the room'. Next up was shells. I didn't really want to go for some straight observational drawing so thought of the tongue twister: 'She sells shells on the sea shore'.
Next up was 'bag'. Again I found a saying 'who let the cat out of the bag?'. Then there was cube. Around this time I was really pleased to be doing something with the word but could not think of a phrase or saying with cube in it. So a melting Rubik cube appeared.
When the drawings are finished i put them on the group Facebook page, 30 day sketchbook challenge, which is crammed full of drawings using the same prompts. Look it up, it has a red circle in the cover photo.
Today the challenge is '5'. Gosh, 5 what?
You can see all my images with prompts on my Instagram page. @MaureenMaceArt A quick link can be found at the bottom of everypage of my website. Enjoy.
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